課程大綱

課程資訊

課程名稱

戲曲莎士比亞女扮男裝研究
Female Cross-Dressing in Chinese Opera Shakespeare

開課學期

101-2

授課對象

文學院外國語文學研究所

授課教師

雷碧琦

課號

FL7240

課程識別碼

122 M8320

班次

學分

全/半年

半年

必/選修

選修

上課時間

上課地點

備註

初選不開放。本課程中文授課,使用英文教科書。專題研究課程。上課時間另行宣布。
總人數上限：1人

課程簡介影片

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課程大綱

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課程概述

This course covers three major areas: 1) theories of gender as performance, of cross-dressing and transvestism, of actor-audience hermeneutics, 2) conventions of female cross-dressing in traditional Chinese theatre, and 3) examples in Chinese opera adaptations of Shakespeare.

課程目標

The goal of this course is to combine theoretical and historical approaches in studying female cross-dressing in Chinese opera adaptations of Shakespeare and analyze how various cultures meet and affect one another.

課程要求

The student needs to complete the weekly reading assignments and bring in topics for discussion. The student needs to submit a term paper of over 3000 words.

預期每週課後學習時數

Office Hours

指定閱讀

TBA

參考書目

1. Bial, Henry. The Performance Studies Reader. London: Routledge, 2004. Print.
2. Bauer, Heike. Women and Cross-Dressing, 1800-1939. London: Routledge, 2006.
Print.
3. Brown, John R. New Sites for Shakespeare: Theatre, the Audience, and Asia. London: Routledge, 1999. Print.
4. Bullough, Vern L, and Bonnie Bullough. Cross Dressing, Sex, and Gender. Philadelphia: University of Pennsylvania Press, 1993. Print.
5. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990. Print.
6. Case, Sue-Ellen, ed. Performing Feminisms : Feminist Critical Theory and Theatre. Baltimore: Johns Hopkins University Press, 1995.
7. Chao, Katherine Hui-ling 周慧玲. Biao Yan Xin Li Xue Gai Lun 《表演心理學》(Performance Psychology). Tai bei shi 臺北市: Guo Li Fu Xing Ju Yi Shi Yan Xue Xiao 國立復興劇藝實驗學校, 1996. Print.
8. Dekker, Rudolf M, and Lotte C. Pol. The Tradition of Female Transvestism in Early Modern Europe. Basingstoke: Macmillan, 1989. Print.
9. Ekins, Richard, and Dave King. Blending Genders: Social Aspects of Cross-Dressing and Sex-Changing. London: Routledge, 1996. Print.
10. Ferris, Lesley. Crossing the Stage: Controversies on Cross-Dressing. London:
Routledge, 1993. Print.
11. Garber, Marjorie B. Vested Interests: Cross-dressing & Cultural Anxiety. New York: Routledge, 1992. Print.
12. Hirschfeld, Magnus. Transvestites: The Erotic Drive to Cross-Dress. Buffalo, N.Y: Prometheus Books, 1991. Print.
13. Hotchkiss, Valerie R. Clothes Make the Man: Female Cross Dressing in Medieval Europe. New York: Garland, 2000. Print.
14. Hu, Ji胡忌, and Zhizhong Liu劉致中. Kun Ju Fa Zhan Shi崑劇發展史. Beijing:
Zhongguo Xi Ju Chu Ban She中國戲劇出版社, 1989. Print.
15. Huang, Xiujin黃秀錦. Zu Shi Ye De Nu Er: Sun Cui Feng De Gu Shi 祖師爺的女兒 : 孫翠鳳的故事. Tai Bei Shi臺北市: Shi Bao Wen Hua Chu Ban時報出版, 2000. Print.
16. Ji, Huiling 紀慧玲. Wang Hailing: Bang Zi Gu Niang王海玲 : 梆子姑娘. Taibei Shi 臺北市: Lien he wen xue 聯合文學, 2003. Print.
17. Jiang, Jin. Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai. Seattle: University of Washington Press, 2009. Print.
18. Li, Siuleung. Cross-dressing in Chinese Opera. Hong Kong: Hong Kong Univ. Press,
2003. Print.
19. Measure, Measure 量•度. Dir. Lu Po Shen 呂柏伸. Per. Wang Hai-ling 王海玲, Hsiao Yang-ling 蕭揚玲, Liu Chien-hua 劉建華, and Chu Hai-shan朱海珊. National Theater, Taipei. 8-10 June 2012. Performance.
20. Morin, Edgar. The Stars. Minneapolis: University of Minnesota, 2005. Print.
21. Orgel, Stephen. Impersonations: The Performance of Gender in Shakespeare's England. England: Cambridge UP, 1996. Print.
22. Perng, Ching-Hsi 彭鏡禧 and Fang Chen 陳芳. Yue/Shu 約�束. Taipei: Student Book, 2009. Print.
23. Sedgwick, Eve Kosofsky, and Andrew Parker. Performativity and Performance. New York: Routledge, 1995. Print.
24. ---, and Adam Frank. Touching Feeling: Affect, Pedagogy, Performativity. Durham: Duke UP, 2003. Print.
25. Suthrell, Charlotte A. Unzipping Gender: Sex, Cross-Dressing and Culture. Oxford:
Berg, 2004. Print.
26. Wang, An-chi. Xing Bie, Zheng Zhi Yu Jing Ju Biao Yan Wen Hua 性別、政治與京劇表演文化Taibei Shi臺北市: Taiwan da xue chu ban zhong xin臺灣大學出版中心, 2011. Print.
27. Wells, Stanley, and Sarah Stanton. The Cambridge Companion to Shakespeare on Stage. Cambridge, U.K. ; New York: Cambridge University Press, 2002. Print.
28. Wu, Meng Fang 吳孟芳. “Tai Wan Ge Zai Xi Kun Sheng Wen Hua Zhi Yan Jiu” 臺灣歌仔戲坤生文化之硏究. MA Thesis. N.P: National Taiwan University, 2002. Print.
29. Yue/Shu 約�束= Bond : a Bangzi opera adaptation of the Merchant of Venice. By Perng, Ching-Hsi 彭鏡禧 and Fang Chen 陳芳. Dir. Lu Po Shen. Per. Wang Hai-ling, Hsiao Yang-ling, Liu Chien-hua, and Chu Hai-shan. Kaohsiung City高雄市 : Preparatory Office of the National Headquarters of Taiwan Traditional Arts國立臺灣傳統藝術總處籌備處臺灣豫劇團, 2010. DVD.
30. Zhou, Hui-ling 周慧玲. Biao Yan Zhong Guo: Nu Ming Xing, Biao Yan Wen Hua, Shi Jue Zheng Zhi : 1910-1945 = Performing China : Actresses, Performance Culture, Visual Politics : 1910-1945 表演中國 : 女明星,表演文化,視覺政治,1910-1945. Tai bei shi 臺北市: Mai tian chu ban 麥田出版, 2004. Print.
31. Zhou, Xianggeng 周象耕. Xuan Qian Zhuan Kun Hua Nan Dan: Qian Dan Mian Mian Guan旋乾轉坤話男旦 : 乾旦面面觀. Taibei Shi臺北市: Xiu Wei Zi Xun Ke Ji Gu Fen You Xian Gong Si秀威資訊科技股份有限公司, 2010. Print.

評量方式
(僅供參考)

No.	項目	百分比	說明
1.	General discussion	50%
2.	Term paper	50%

課程進度

週次	日期	單元主題
第1週		Gender vs. Sex
第2週		Gendered Body
第3週		Performing Gender
第4週		Theatrical Gender Performance
第5週		Cross-Dressing and Power
第6週		The Gaze
第7週		Actor-Audience Theory
第8週		Vicarious Experience of Gender
第9週		Review
第10週		Early Modern Impersonation
第11週		Performing Gender in Shakespeare
第12週		Gender and performance in traditional Chinese theatre
第13週		female cross-dressing conventions in Yueju (traditional repertoire)
第14週		Yueju Shakespeare
第15週		Female cross-dressing conventions in gezaixi (traditional repertoire)
第16週		Gezaixi Shakespeare
第17週		Yuju Shakespeare
第18週		Conclusion